And that’s not to say conversational songs don’t exist in musical theater look at Great Comet or literally anything by Sondheim. However, it feels like a lot of the songs existed in the build up *to* those explosive emotions. In musical theater, typically when the emotion is too strong for words, the scene naturally turns to song. Songs don’t stick to the same melody or genre for more than a few moments. The music was supposed to be the star of the show, but instead it was rambly and forgettable. Unfortunately, as a musical theater fan, I was not feeling this one as much as I wanted to love it. I backed this game on Fig years ago because I wanted more games like this, and I’m hopeful Stray Gods’ success opens the door for more musical games in the future. I wanna start this review by saying I’m *so* incredibly impressed that this game exists.
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